Character in Lord of The Rings and Wheel of Time :: Lord of the Rings Essays

Character in overlord of The sound and Wheel of fourth dimension Conventionally characters in head game fiction coach very little, with al most(prenominal) none of the personal evolution one expects in literature. They tend to be stereotypical goodies and baddies, the handsome, courageous heroes and the cruel, ugly forces of evil. They are the substitution class of the force for which they fight. Over the past few decades very few fantasy fiction writers hold back escaped from this rut. The Lord of the Rings and the Wheel of Time are linked by the fact that none of their major characters stick static. There are also very few stereotypical characters fork proscribed in each text. The ways in which character development is achieved and what causes it, ordain be explored in this essay. The characters that show the most development in the Lord of the Rings are undoubtedly the hobbits. From being absurd, helpless hobbits at the initiation those in the company are Fearless hob bits with bright swords and grim faces when they overtake to the shire horse. While there was a none in the voices of these hobbits that they the bandits in the Shire had not heard before. It chilled them with fear. Even Mr Butterbur, who sees them only twice, says You have come back changed from your travels, and you belief now like folk as can deal with troubles out of hand. Frodos development begins when he is told the history of the ring by Gandalf. He had neer before suspected that such evil could exist. How could he? In the Shire there is no real evil because of the Rangers unceasing vigilance. Furthermore Bilbos tales1 would have skimmed over bad times and concentrated on what the hobbits valued to hear about, Big People, dragons and mountains of treasure. The stench of the dead and the terror that Smaug the dragon caused would not have been mentioned. In the Wheel of Time it is the three taveren that show the most change. They start out as simple village boys knowing v irtually nothing of the world beyond the two rivers. Perrin becomes a wolfriend, Mat com musical compositionds the chevron of the Red Hand (six-thousand men) and Rand is the Dragon Reborn, destined to fight the Last betrothal against the Shadow. Rands ability to channel is what changes him most. He had been brought up to fear any man that could channel, fated to go mad and, before the Shadow-tainted male half of the witness killed him horribly, bring terror to everyone around him.